Love as narrative: Level 26: dark origins and transmedia storytelling

Autores

DOI:

https://doi.org/10.18764/2525-3441v8n24.2023.47

Palavras-chave:

Transmedia novel, Level26: dark origins, love

Resumo

Throughout history, the discourse surrounding love has seen myriad interpretations since ancient Greek times. In the tapestry of European literature’s evolution, the novel’s intimate exploration of personal realms has elevated love as a pivotal driving force shaping characters’ actions. This intrinsic link between the novel and love has become a focal point for examination. Our objective is to analyze the transmedia novel Level 26: Dark Origins (2009) by Anthony E. Zuiker and Duane Swierczynski. We aim to unravel how the merging of diverse media forms enriches the narrative’s exploration of love within its broader thematic framework. This novel stands as an exemplar of transmedia storytelling, seamlessly integrating traditional print narrative with immersive online video content. Drawing insights from esteemed scholars like Henry Jenkins (2009), René Girard (1961), and Erich Fromm (1956), our analysis observes the layers of love portrayed in Level 26: Dark Origins from the romantic and familial to the more shadowy and obsessive aspects. By delving into the intricate complexities of human emotions, this multimedia extension, especially the video series, accentuates the narrative’s visual storytelling prowess, and offers a nuanced portrayal of love.

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Biografia do Autor

Vanessa de Carvalho Santos, Universidade Federal do Rio de Janeiro

Doutoranda em Ciência da Literatura na UFRJ

Thiago Rhys Bezerra Cass, Universidade Federal do Rio de Janeiro

Professor Adjunto da Universidade Federal do Rio de Janeiro. Atua no Departamento de Letras Anglo-Germânicas e no Programa de Pós-Graduação em Ciência da Literatura. Professor permanente do Programa de Pós-Graduação em Estudos Linguísticos e Literários em Inglês da Universidade de São Paulo. Bolsista FAPERJ "Jovem Cientista do Nosso Estado" (2023-2025). 

Referências

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CAMÕES, Luís de. Sonetos. Sonnet 001: Enquanto quis Fortuna que tivesse, 1595. Public domain. Available in: http://www.dominiopublico.gov.br/download/texto/bv000164.pdf.

FLAUBERT, Gustave. Madame Bovary. Paris: Librairie de France, 1929.

FROMM, Erich. The Art of Loving. New York: Harper & Row, 1956.

GIRARD, René. Mensonge romantique et vérité romanesque. Paris: Grasset & Fasquelle, 1961.

JENKINS, Henry. Convergence culture: Where Old and New Media Collide. New York: New York University Press, 2006. P. 95-96.

MAZZONI, Guido. Theory of the Novel. Translated by Zakiya Hanafi. Cambridge: Harvard University Press, 2017.

PEYRE, Henry. Qu’est-ce que le romantisme?. Paris: Presses Universitaires de France, 1979.

STENDHAL. Le Rouge et le Noir. Paris: Le Divan, 1927.

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WEINSTOCK, Herbert. Donizetti: And the World of Opera in Italy, Paris & Vienna in the First Half of the Nineteenth Century. London: Methuen & Co Ltd, 1964.

ZUIKER, Anthony E. Interview: Anthony E. Zuiker. [October, 2010]. Interview given to Kristine Huntley. Available in: https://www.csifiles.com/content/2010/10/interview-anthony-e-zuiker/. Accessed on: 9 Oct. 2023.

ZUIKER, Anthony E. SWIERCZYNSKI, Duane. Level 26: Dark Origins. Boston: Dutton, 2009.

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Publicado

2024-03-08

Como Citar

SANTOS, Vanessa de Carvalho; CASS, Thiago Rhys Bezerra.
Love as narrative: Level 26: dark origins and transmedia storytelling
. Afluente: Revista de Letras e Linguística, v. 8, n. 24, p. 01–21, 8 Mar 2024 Disponível em: https://cajapio.ufma.br/index.php/afluente/article/view/22650. Acesso em: 21 nov 2024.

Edição

Seção

Amor na Literatura