AS “BOYS OF THE LIGHTHOUSE” EVERYTHING IS SYNONYM OF PARTY

an Anthropophageal Cartography of the Landscapes in the Mãe Luiza neighborhood, Natal – RN

Authors

DOI:

https://doi.org/10.18764/2446-6549.e202220

Keywords:

Anthropophagic Cartography of Landscapes, Geophotography, Confidence, Experience

Abstract

This work seeks to map a playful experience carried out in the 1st Week of Arts of Mãe Luiza in the workshop "Look at this Light" taught by teacher Carol Macedo in 2019 in the Mãe Luiza neighborhood in the city of Natal - RN. The objective of this article was to narrate the relationship built between the Cartographer and the boy in the construction of the affirmation of trust from a desiring machine (photographic camera). Therefore, we used the hodós-metá proposed by Silva Filho (2021) called Anthropophagic Cartography of Landscapes, using dialogue and geophotography as instruments for understanding subjectivity and the relationship between the subject and the landscape. The Anthropophagic Cartography of Landscapes promoted an expansion of our geographic making, entering a new field that allowed us to dive without
limitations in the experience of what was lived. Therefore, throughout this cartography made by
this new cartographer, he connected with the subjective form of the look of the boy and his friends
with their photographs in the production of trust. 

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Published

2022-12-31

How to Cite

SILVA FILHO, Luiz Carlos da.
AS “BOYS OF THE LIGHTHOUSE” EVERYTHING IS SYNONYM OF PARTY: an Anthropophageal Cartography of the Landscapes in the Mãe Luiza neighborhood, Natal – RN
. InterEspaço: Revista de Geografia e Interdisciplinaridade, p. e202220, 31 Dec. 2022 Disponível em: https://cajapio.ufma.br/index.php/interespaco/article/view/17074. Acesso em: 16 nov. 2024.

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Artigos